Kei Ishikawa discusses directing his first feature film.
The director of Bad Rap discusses documentary film making and the concerns of modern entertainers.
CDFF returns for its second year, providing aid to the drought conditions for Asian film in the Denver area.
A B-movie video essay/appreciation of Setsuko Hara.
Japanese director Ryuhei Kitamura has made two English language B-movies to date, both showing an A-level craft and will certainly become eventual cult classics.
Huayi Brothers give another reason why we should keep an eye on them as they continue to make their mark in Hollywood.
Sono's latest is his F for Fake, an assault on the intellect that dares you to look away and forces you to mentally keep up.
The 2nd horror issue of Cinema Adrift is out. Recommended only for the faint of heart.
The return of films with life lessons, both constructive and destructive. Watch, take notes, recreate in personal life, then repeat.
Arrow Video give Meiko Kaji's greatest and most iconic of her outlaw film endeavors a grand treatment, making it one of the must have releases of the year.
Uzumasa Limelight director Ken Ochiai gives his thoughts on the Japanese film industry, what draws him to a project, and also recommends some jidai-geki films.
A creator spotlight on the man behind some of the most enduring pop culture icons and how one's unpopular politics can influence a large body of their work.
A look at the rise of the computer screen movie and what potential it has for breaking the boundaries of focal points.