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      <image:title>Blog - Blu-Review: Burroughs: The Movie (Howard Brookner, 1983) - Criterion Collection</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1464891455089-S1S4S54AXD6L2KVCX7EX/image-asset.jpeg</image:loc>
      <image:title>Blog - Blu-Review: Burroughs: The Movie (Howard Brookner, 1983) - Criterion Collection</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.cinema-adrift.com/blog/2016/5/14/film-review-uzumasa-limelight-ken-ochiai-2014</loc>
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    <priority>0.5</priority>
    <lastmod>2016-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1463345230936-X9S1JG2KQQRGSZSKA8HM/image-asset.jpeg</image:loc>
      <image:title>Blog - Film Review: Uzumasa Limelight (Ken Ochiai, 2014)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1463345272737-J1T7E890MB4ISYYYZKEV/image-asset.png</image:loc>
      <image:title>Blog - Film Review: Uzumasa Limelight (Ken Ochiai, 2014)</image:title>
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    <image:image>
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      <image:title>Blog - Film Review: Uzumasa Limelight (Ken Ochiai, 2014)</image:title>
    </image:image>
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  <url>
    <loc>http://www.cinema-adrift.com/blog/2016/5/15/steve-ditko-the-unseen-objectivist</loc>
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    <priority>0.5</priority>
    <lastmod>2016-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1463482105196-EZA7DRKSZXRUN4UJ3F4Z/image-asset.jpeg</image:loc>
      <image:title>Blog - Steve Ditko: The Unseen Objectivist</image:title>
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    <image:image>
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      <image:title>Blog - Steve Ditko: The Unseen Objectivist</image:title>
      <image:caption>A comparison of Ditko's artwork and Tom Holland's Spider-Man in Captain America: Civil War</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.cinema-adrift.com/blog/2016/5/11/viewer-as-director-the-mise-en-scene-of-the-computer-screen</loc>
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    <lastmod>2016-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1463008458033-6CZVF52RY5GV9AFDHRX7/vlcsnap-2015-06-16-15h12m31s975.png</image:loc>
      <image:title>Blog - Viewer as Director: The Mise-en-Scene of the Computer Screen</image:title>
      <image:caption>The full screen mode of Unfriended.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1463008485807-2CBJ60NT65QKRVPHNLCB/vlcsnap-2015-06-16-15h18m36s899.png</image:loc>
      <image:title>Blog - Viewer as Director: The Mise-en-Scene of the Computer Screen</image:title>
      <image:caption>The zoomed in, eye tracking mode of Open Windows.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1463009223673-0BZGYMUZOKPD9XGVJI7Y/image-asset.png</image:loc>
      <image:title>Blog - Viewer as Director: The Mise-en-Scene of the Computer Screen</image:title>
      <image:caption>In Open Windows not only do we see a scene from multiple angles but also the various parties who are having an effect on the action.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1463009392180-KBEH03KH76BW8BMORISL/image-asset.png</image:loc>
      <image:title>Blog - Viewer as Director: The Mise-en-Scene of the Computer Screen</image:title>
      <image:caption>A folder named "Emily" barely covered by the video feed Emily herself suggests sinister ulterior motives of her boyfriend whose computer screen we are looking at.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1463009411125-SF3Q2B6GI972S58MC22N/image-asset.png</image:loc>
      <image:title>Blog - Viewer as Director: The Mise-en-Scene of the Computer Screen</image:title>
      <image:caption>The distortion of Emily's video chat connection creates an interesting and subtle foreshadowing of her fate,</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1463008704190-I7RVXAPUI3FE5TLEIYCP/image-asset.png</image:loc>
      <image:title>Blog - Viewer as Director: The Mise-en-Scene of the Computer Screen</image:title>
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    <image:image>
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      <image:title>Blog - Viewer as Director: The Mise-en-Scene of the Computer Screen</image:title>
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    <image:image>
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      <image:title>Blog - Viewer as Director: The Mise-en-Scene of the Computer Screen</image:title>
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    <image:image>
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      <image:title>Blog - Viewer as Director: The Mise-en-Scene of the Computer Screen</image:title>
      <image:caption>Noah hesitates before sending this message after logging onto his girlfriend's Facebook account. We see his knee-jerk reaction to his suspicions before following through on a different knee-jerk reaction more devastating to his relationship.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1463009319200-BW0RACZ6KR1ZVUCP042R/image-asset.png</image:loc>
      <image:title>Blog - Viewer as Director: The Mise-en-Scene of the Computer Screen</image:title>
      <image:caption>During the search for Hayley, her profile and more importantly profile picture remains in the frame as multiple characters discuss her potential whereabouts.</image:caption>
    </image:image>
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  <url>
    <loc>http://www.cinema-adrift.com/blog/2016/5/5/film-review-too-late-dennis-hauck-2015</loc>
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    <priority>0.5</priority>
    <lastmod>2017-02-12</lastmod>
    <image:image>
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      <image:title>Blog - Film Review: Too Late (Dennis Hauck, 2015)</image:title>
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      <image:title>Blog - Film Review: Too Late (Dennis Hauck, 2015)</image:title>
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  <url>
    <loc>http://www.cinema-adrift.com/blog/2016/2/23/the-witch-and-modern-horror-the-difference-between-critic-and-audience-expectations</loc>
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    <lastmod>2021-12-15</lastmod>
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  </url>
  <url>
    <loc>http://www.cinema-adrift.com/blog/2016/1/28/film-review-ant-man</loc>
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    <priority>0.5</priority>
    <lastmod>2016-05-15</lastmod>
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    <loc>http://www.cinema-adrift.com/blog/2015/12/3/blu-review-jellyfish-eyes-takashi-murakami-2013-criterion-collection</loc>
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    <lastmod>2015-12-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1449261610720-NPGEPNT2LV9QRKCAANFJ/image-asset.jpeg</image:loc>
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      <image:title>Blog - Blu-Review: Jellyfish Eyes (Takashi Murakami, 2013) - Criterion Collection</image:title>
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      <image:title>Blog - Blu-Review: Jellyfish Eyes (Takashi Murakami, 2013) - Criterion Collection</image:title>
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      <image:title>Blog - Blu-Review: Jellyfish Eyes (Takashi Murakami, 2013) - Criterion Collection</image:title>
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      <image:title>Blog - Blu-Review: Jellyfish Eyes (Takashi Murakami, 2013) - Criterion Collection</image:title>
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      <image:title>Blog - Blu-Review: Jellyfish Eyes (Takashi Murakami, 2013) - Criterion Collection</image:title>
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      <image:title>Blog - Blu-Review: Jellyfish Eyes (Takashi Murakami, 2013) - Criterion Collection</image:title>
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    <image:image>
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      <image:title>Blog - Blu-Review: Jellyfish Eyes (Takashi Murakami, 2013) - Criterion Collection</image:title>
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  <url>
    <loc>http://www.cinema-adrift.com/blog/2015/11/23/blu-review-ikiru-akira-kurosawa-criterion-collection</loc>
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    <lastmod>2015-12-04</lastmod>
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      <image:title>Blog - Blu-Review: Ikiru (Akira Kurosawa) - Criterion Collection</image:title>
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      <image:title>Blog - Blu-Review: Ikiru (Akira Kurosawa) - Criterion Collection</image:title>
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      <image:title>Blog - Blu-Review: Ikiru (Akira Kurosawa) - Criterion Collection</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1448394464954-GJ3BMDU5PDJ2JCNFSH2R/image-asset.png</image:loc>
      <image:title>Blog - Blu-Review: Ikiru (Akira Kurosawa) - Criterion Collection</image:title>
      <image:caption>Gotta love those Kurosawa wipes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1448394165471-Z89ZOCRCAURPHQRNZ1PF/image-asset.png</image:loc>
      <image:title>Blog - Blu-Review: Ikiru (Akira Kurosawa) - Criterion Collection</image:title>
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    <image:image>
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      <image:title>Blog - Blu-Review: Ikiru (Akira Kurosawa) - Criterion Collection</image:title>
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  <url>
    <loc>http://www.cinema-adrift.com/blog/2015/11/23/dvd-review-makeup-room-kei-morikawa-third-window-films</loc>
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    <priority>0.5</priority>
    <lastmod>2015-11-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1448333148185-0IKXJ9OYOPANTAEBR0CF/image-asset.jpeg</image:loc>
      <image:title>Blog - DVD-Review: Makeup Room (Kei Morikawa) - Third Window Films</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.cinema-adrift.com/blog/2015/11/12/the-asian-film-presence-at-dff38</loc>
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    <priority>0.5</priority>
    <lastmod>2016-07-12</lastmod>
    <image:image>
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  <url>
    <loc>http://www.cinema-adrift.com/blog/2015/11/5/dff-15-cemetery-of-splendour-apichatpong-weerasethakul</loc>
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    <priority>0.5</priority>
    <lastmod>2015-11-18</lastmod>
    <image:image>
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      <image:title>Blog - DFF '15: Cemetery of Splendour (Apichatpong Weerasethakul)</image:title>
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  </url>
  <url>
    <loc>http://www.cinema-adrift.com/blog/2015/11/5/dff-15-mountains-may-depart-jia-zhangke</loc>
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    <priority>0.5</priority>
    <lastmod>2015-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1447710510179-5B5C0E9QIFZSXEIKP6WB/image-asset.jpeg</image:loc>
      <image:title>Blog - DFF '15: Mountains May Depart (Jia Zhangke)</image:title>
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      <image:title>Blog - DFF '15: Mountains May Depart (Jia Zhangke)</image:title>
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  <url>
    <loc>http://www.cinema-adrift.com/blog/2015/11/10/dff-15-rise-of-the-legend-roy-hin-yeung-chow-</loc>
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    <lastmod>2015-11-11</lastmod>
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  <url>
    <loc>http://www.cinema-adrift.com/blog/2015/11/5/dff-15-dearest-peter-chan-2014</loc>
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    <lastmod>2015-11-11</lastmod>
    <image:image>
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  </url>
  <url>
    <loc>http://www.cinema-adrift.com/blog/2015/11/13/dff-15-camino-josh-c-waller</loc>
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    <priority>0.5</priority>
    <lastmod>2015-11-14</lastmod>
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  <url>
    <loc>http://www.cinema-adrift.com/blog/2015/11/10/dff-15-h-rania-attiehdaniel-garcia-</loc>
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    <lastmod>2015-11-14</lastmod>
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      <image:title>Blog - DFF '15: H. (Rania Attieh/Daniel Garcia)</image:title>
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      <image:title>Blog - DFF '15: H. (Rania Attieh/Daniel Garcia)</image:title>
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    <lastmod>2015-11-10</lastmod>
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      <image:title>Blog - DFF '15: Theory of Obscurity: A Film About The Residents (Don Hardy)</image:title>
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  <url>
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    <loc>http://www.cinema-adrift.com/blog/2015/10/23/making-a-better-vhs</loc>
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    <loc>http://www.cinema-adrift.com/blog/review/cure</loc>
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    <lastmod>2015-11-03</lastmod>
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      <image:title>Blog - Blu-Review: Nail Gun Massacre (Terry Lofton/Billie Leslie, 1985) – 88 Films</image:title>
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      <image:title>Blog - Blu-Review: Requiescant (Carlo Lizzani, 1967) – Arrow Video</image:title>
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      <image:title>Blog - Blu-Review: Requiescant (Carlo Lizzani, 1967) – Arrow Video</image:title>
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      <image:title>Blog - Blu-Review: Requiescant (Carlo Lizzani, 1967) – Arrow Video</image:title>
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    <image:image>
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      <image:title>Blog - Blu-Review: Requiescant (Carlo Lizzani, 1967) – Arrow Video</image:title>
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    <image:image>
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      <image:title>Blog - Blu-Review: Requiescant (Carlo Lizzani, 1967) – Arrow Video</image:title>
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      <image:title>Blog - Blu-Review: Requiescant (Carlo Lizzani, 1967) – Arrow Video</image:title>
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      <image:title>Blog - Blu-Review: Requiescant (Carlo Lizzani, 1967) – Arrow Video</image:title>
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    <loc>http://www.cinema-adrift.com/blog/2015/10/26/mhhff-15-landmine-goes-click-levan-bakhia</loc>
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      <image:title>Blog - MHHFF ’15: Landmine Goes Click (Levan Bakhia)</image:title>
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      <image:title>Blog - MHHFF ’15: Landmine Goes Click (Levan Bakhia)</image:title>
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      <image:title>Blog - MHHFF ’15: Landmine Goes Click (Levan Bakhia)</image:title>
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      <image:title>Blog - DVD-Review: Fuku-chan of Fukufuku Flats (Yosuke Fujita, 2014) – Third Window Films</image:title>
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      <image:title>Blog - DVD-Review: Fuku-chan of Fukufuku Flats (Yosuke Fujita, 2014) – Third Window Films</image:title>
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      <image:title>Blog - Netflix, Get the Fuck Out of My House: Initial Thoughts on Exploitation.TV</image:title>
      <image:caption>My initial watch list which has since grown.</image:caption>
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      <image:title>Blog - Netflix, Get the Fuck Out of My House: Initial Thoughts on Exploitation.TV</image:title>
      <image:caption>The page you see when you click on a film.</image:caption>
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      <image:title>Blog - Netflix, Get the Fuck Out of My House: Initial Thoughts on Exploitation.TV</image:title>
      <image:caption>Further down the page you see details for the film including links to other works by the director, actors, and even the distribution company. Further down lists similar titles.</image:caption>
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      <image:title>Blog - Blu-Review: Eaten Alive (Tobe Hooper, 1977) – Arrow Video</image:title>
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      <image:caption>A powerful shot-reverse-shot between Burns and Finley.</image:caption>
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      <image:title>Blog - Film Review: 100 Yen Love (Masaharu Take, 2014)</image:title>
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      <image:title>♟ - Jason's Favorites of 2017</image:title>
      <image:caption>A24 batted a thousand, but Neon is hot on their heels. Also: Edgar Wright rights his past wrongs with substance and superhero movies finally become good thanks to Amazonian golden bondage play. For All the Daddy's Love in the World. READ MORE</image:caption>
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      <image:caption>From the co-writer of landmark films like Rashomon, Seven Samurai, and Castle of Sand, Hashimoto's book is a must have for any screenwriter/fan of Akira Kurosawa. Offering detailed insights into his working process for developing scripts. READ MORE</image:caption>
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      <image:title>♟ - NYAFF 2017: Interview w/ Jung Yoon-suk and Bamseom Pirates</image:title>
      <image:caption>The filmmaker and his subjects discuss their punk-rock documentary. READ MORE</image:caption>
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      <image:caption>The director of Bad Rap discusses documentary film making and the concerns of modern entertainers. READ MORE</image:caption>
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    <image:image>
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      <image:title>♟ - Retro2016: The State of Western Distribution for Japanese Film</image:title>
      <image:caption>Another slow year for Japanese film but there were some great highlights. READ MORE</image:caption>
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      <image:caption>Huayi Brothers give another reason why we should keep an eye on them as they continue to make their mark in Hollywood. READ MORE</image:caption>
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      <image:caption>A creator spotlight on the man behind some of the most enduring pop culture icons and how one's unpopular politics can influence a large body of their work. READ MORE</image:caption>
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      <image:title>♟ - Introducing Oribu Anime: Two Films by Yeon Sang-ho</image:title>
      <image:caption>Olive Films adds another sub-label to its belt: Oribu Anime, dedicated to releasing boundary pushing animated works from around the world. READ MORE</image:caption>
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      <image:title>♟ - Two Evocations of the Japanese Flag</image:title>
      <image:caption>A specific tool to be used for the politically minded filmmaker, here are two examples of filmmakers evoking their country's flag in inventive and meaningful ways. READ MORE</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601055564479-ATS9YC9QFQNOQBOYW2XY/image-asset+%2823%29.jpeg</image:loc>
      <image:title>♟ - Interview: Ken Ochiai on Chaplin, Jidai-geki, and the Japanese Film Industry</image:title>
      <image:caption>Uzumasa Limelight director Ken Ochiai gives his thoughts on the Japanese film industry, what draws him to a project, and also recommends some jidai-geki films. READ MORE</image:caption>
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      <image:title>♟ - NEW ISSUE: Volume VI - 2016 October</image:title>
      <image:caption>4 horror flicks from the 70s. READ MORE</image:caption>
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      <image:caption>A look at the rise of the computer screen movie and what potential it has for breaking the boundaries of focal points. READ MORE</image:caption>
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      <image:caption>Female full-frontal is a lot more common than male full-frontal in the movies. We’ve seen the breasts and vaginas before, but a penis is a special thing in the world of film. Let’s celebrate that as it’s not very special elsewhere in the world. READ MORE</image:caption>
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      <image:caption>In order to make the best entry in the V/H/S series you must cut and paste across all the previous entries. READ MORE</image:caption>
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      <image:title>♟ - Japan Cuts 2016: Bakuman/New Anime Vanguard Spotlight</image:title>
      <image:caption>Jack Virnich writes on the pairing of manga-ka centric film Bakuman and a collection of experimental animated short films presented by Japan Cuts. READ MORE</image:caption>
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      <image:caption>If it wasn't for the Justice League, Marvel probably wouldn't even exist today. At least not as the superhero comics titan we know it as now. READ MORE</image:caption>
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      <image:title>♟ - Essential Assemblage: The Taste of Tea Guttokuro Box Limited Edition</image:title>
      <image:caption>READ MORE</image:caption>
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      <image:title>♟ - The Witch and Modern Horror: The Difference Between Critic and Audience Expectations</image:title>
      <image:caption>The Witch fits in with a long tradition of the divide between critical and commercial audiences found with the horror genre. READ MORE</image:caption>
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      <image:caption>100 YEN LOVE (Masaharu Take, 2014)</image:caption>
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      <image:caption>A BRIDE FOR RIP VAN WINKLE (Shunji Iwai, 2016)</image:caption>
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      <image:caption>THE ACTOR (Satoko Yokohama, 2016)</image:caption>
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      <image:caption>AFTER THE STORM (Hirokazu Kore-eda, 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601096866820-RAP1CG3JMGII1QRQW6YV/image-asset+%2832%29.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>THE AGE OF SHADOWS (Kim Jee-woon, 2016)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601099694504-0HWS89VHWMN7WHQTHX29/image-asset%2B%252851%2529.jpg</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>ALONE (Park Hong-min, 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601101431209-OFH2ZRN7KIMSSAXUG1EL/AntMan-2015-1.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>ANT-MAN (Peyton Reed, 2015)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601098017962-OI80J40CWGNXSQ8UVWM8/image-asset+%2838%29.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>THE ARTIST OF FASTING (Masao Adachi, 2016)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601103314865-MH7MRS8NXZD2LKWN2KPK/as+the+gods12.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>AS THE GODS WILL (Takashi Miike, 2014)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601103447668-Z4JWHB866CSOAXYEWR8I/Before_I_Disappear_Still.jpg</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>BEFORE I DISAPPEAR (Shawn Christensen, 2014)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601098944694-XUHCIU0O0V467YNAK5CM/image-asset%2B%252845%2529.jpg</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>BITTER HONEY (Gakuryu Ishii, 2016)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600927315130-V7H8MBL8IKNJ77DOZBI5/bluemountains.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>THE BLUE MOUNTAINS PT. I and II (Tadashi Imai, 1949)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601101536271-PAF5HM1A6S9PPAT5HB12/image-asset%2B%252857%2529.jpg</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>CEMETERY OF SPLENDOUR (Apichatpong Weerasethakul, 2015)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601097062974-F28GX54OQCTGICNQKRLM/image-asset+%2834%29.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>CHEERFUL WIND (Hou Hsiao-hsien, 1981)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600966618569-H6WBG3GBN7G69H8JK5OZ/claire+camera.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>CLAIRE’S CAMERA (Hong Sang-soo, 2017)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600969085122-8U29CQW16SY5XDBL6MIM/image-asset+%284%29.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>CLOSE-KNIT (Naoko Ogigami, 2017)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601100127995-T7Q4P3STOW4EYPT0EVHU/image-asset%2B%252855%2529.jpg</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>CREEPY (Kiyoshi Kurosawa, 2016)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600966219918-QZ5WJWNVVCSIMO57SX4Q/kyua.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>CURE (Kiyoshi Kurosawa, 1997)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601099950548-BXZ78QMM4GEVLYW35XQZ/image-asset.jpeg</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>DE PALMA (Noah Baumbach/Jake Paltrow, 2016)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601101779090-1QP5X1J931AR4YV6HKYH/1961bff9b3f16904703e35a859184da195e2d59d.jpg</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>DEAREST (Peter Chan, 2014)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601102753825-GLE933EZM4KFIIV0R2K7/image-asset%2B%252866%2529.jpg</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>DECAY (Joseph Warterchaney, 2014)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601102346489-FRMMLJNEPN4PMLH17RQ7/Der_Bunker_Still.jpg</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>DER BUNKER (Nikias Chryssos, 2015)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600973582971-X0NKDYEC22EB2JBIDB1B/209888.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>DOUBLE LIFE (Yoshiyuki Kishi, 2016)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600967412203-LG03819090Y51QTJESGH/Dragonfly%2BEyes.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>DRAGONFLY EYES (Xu Bing, 2017)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601102076314-NOBVLFDKGHCWCE7AFOW3/image-asset%2B%252861%2529.jpg</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>EMELIE (Michael Thelin, 2015)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600926589288-2MN952J5BZ3P9Q51HRXZ/frr.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>FRIEND REQUEST (Simon Verhoeven, 2016)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601101912004-TZKXLMBJHUD3EM6LXSWC/image-asset%2B%252859%2529.jpg</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>H. (Rania Attieh/Daniel Garcia, 2015)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601097322900-OYKAI5D1C5TSGSRBRSRL/image-asset+%2836%29.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>THE HANDMAIDEN (Park Chan-wook, 2016)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601096615695-86A8LKTBEOBM5G43CTUG/image-asset+%2831%29.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>HARMONIUM (Koji Fukada, 2016)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600966831522-TYZ5KRE358BS3MHGN30T/image-asset.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>HAVE A NICE DAY (Liu Jian, 2017)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601096515855-2VG49646MYB2CXAUSQ63/image-asset+%2821%29.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>HEADSHOT (Mo Brothers, 2016)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601099617342-ECX396BMO8JMU8T4LYDL/image-asset%2B%252850%2529.jpg</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>HEART ATTACK (Nawapol Thamrongrattanarit, 2015)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601102461749-2JRB0F71VC6327FAAGV7/image-asset%2B%252863%2529.jpg</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>INDIA’S DAUGHTER (Leslee Udwin, 2015)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600958707788-NINLBUDIXYGOZ7RZLV77/kaisha.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>KAISHA MONOGATARI: MEMORIES OF YOU (Jun Ichikawa, 1988)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601098369394-60HDU13NR6V1IFTJXY6E/C4v3FPEUoAAv316.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>KEN AND KAZU (Hiroshi Shoji, 2016)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601103863220-84UAFGBS623BGD0WQQY4/unnamed.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>THE KINGDOM OF DREAMS AND MADNESS (Mami Sunada, 2013)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601103018224-WCH5ZN11GL0131IADKNR/landmine-goes-click-2015.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>LANDMINE GOES CLICK (Levan Bakhia, 2015)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601098803636-1F2Q4FLVU743KQXOX4V5/image-asset.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>LOWLIFE LOVE (Eiji Uchida, 2016)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601102161559-I5KIWHBSCBTOC0NWHVKI/image-asset+%2862%29.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>LUDO (Q/Nikon, 2015)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601098624985-DI1T5URP5CSG5GFHN6X7/image-asset+%2843%29.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>THE MAGNIFICENT NINE (Yoshihiro Nakamura, 2016)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600977418414-TGLXU6UGZYTEF9G16T91/image-asset+%2814%29.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>MAVERICK (Cheng Wen-tang, 2016)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600969311696-TSU08QIBSHEF4MLT72A0/mayorrss.png</image:loc>
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      <image:caption>THE MAYOR (Park In-je, 2017)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600967848152-VZELIBGI1O3JRE8SQFUI/aab66074-d40c-11e7-93d7-6d6fc14be448_1280x720_104535.png</image:loc>
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      <image:caption>MEMOIRS OF A MURDERER (Yu Irie, 2017)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600974433306-97TULOXRHAM6FN9NIU0J/image-asset.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>MIFUNE: THE LAST SAMURAI (Steven Okazaki, 2016)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601099065634-L6BM1YM79OL844CKJGJ9/image-asset+%2846%29.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>MOHICAN COMES HOME (Shuichi Okita, 2016)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600973321118-L76QFKO35GG1WBY6T0K8/image-asset+%286%29.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>MOTHERS, WIVES, AND DAUGHTERS (Mikio Naruse, 1960)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600973211931-L2FQ0JEIW9GHGBKCS2DX/il-prigioniero-coreano1-e1525169657607.png</image:loc>
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      <image:caption>THE NET (Kim Ki-duk, 2017)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600974701363-TQG03R7ZS3LVRU2SZVFR/image-asset+%2810%29.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>OVER THE FENCE (Nobuhiro Yamashita, 2016)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601103758634-PMX9Z0D9F0U3TXIA9RS0/screenshot3.jpg</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>PAYBACK: STRAIGHT UP (Brian Helgeland, 2006)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600974594589-KO5HYH3H7ABF0JH4LVH1/image-asset+%289%29.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>PSYCHO RAMAN (Anurag Kashyap, 2016)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600966346963-X7T7HL4JD7NM5I6V5XIK/image-asset+%282%29.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>RADIANCE (Naomi Kawase, 2017)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600967741732-VP5TFBC6GP7DS0MTCUHG/ragerest.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>RAGE (Lee Sang-il, 2017)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601099272902-6V8TX51JHIUJYE8G8DUX/image-asset+%2847%29.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>RAIDERS! THE STORY OF THE GREATEST FILM EVER MADE (Jeremy Coon/Tim Skousen, 2016)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601103965896-30PAMSW853QRMOYJC4Y9/image-asset%2B%25287%2529.jpg</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>RAISE YOUR ARMS AND TWIST: DOCUMENTARY OF NMB48 (Atsushi Funahashi. 2017)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601103543328-07E0LJZDNODR1NUXHPWU/57763247c39decc48c91fec4c9ff1b07.jpg</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>REVENGE OF THE GREEN DRAGONS (Andrew Lau/Andrew Loo, 2014)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601103653180-MC1FI5VYSOGMTITJANVM/rise_of_the_legend_still.jpg</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>RISE OF THE LEGEND (Roy Hin Yeung Chow, 2014)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601102653852-SCJWL8U6KK2VKAOHRP76/image-asset%252B%25252865%252529.jpg</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>SEA FOG (Shim Sung-bo, 2014)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601098548741-JGZX4LF59AWI05MOXKJN/image-asset+%2842%29.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>THE SHION SONO (Arata Oshima, 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600922603444-T1RAYN62CX0UKR6HVT78/stranger+sliver.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>STRANGER (Shunichi Nagasaki, 1991)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601101973546-Z92SLF65SNIUR75ZBTGE/image-asset+%2860%29.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>THEORY OF OBSCURITY (Don Hardy, 2015)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600958284650-0TN3UAHW2TNN8AMDYWX0/image-asset+%281%29.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>TRACKED (Hideo Gosha, 1985)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601097238117-XMOZDYAH4GKEBJ109SVY/image-asset+%2835%29.png</image:loc>
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      <image:caption>THE TUNNEL (Kim Seong-hun, 2016)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601099799463-ZT0121G1LYOKWS6TMB4I/image-asset%2B%252852%2529.jpg</image:loc>
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      <image:caption>TWISTED JUSTICE (Kazuya Shiraishi, 2016)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600958899954-JAWJB912DUA0NO19CYRO/uzumasa.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>UZUMASA LIMELIGHT (Ken Ochiai, 2014)</image:caption>
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      <image:title>film reviews</image:title>
      <image:caption>WET WOMAN IN THE WIND (Akihiko Shiota, 2016)</image:caption>
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      <image:caption>WHAT A WONDERFUL FAMILY! (Yoji Yamada, 2016)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600975550459-5PJY07GKBFLEZW386WY5/image-asset+%2813%29.png</image:loc>
      <image:title>film reviews</image:title>
      <image:caption>WHITE LIES, BLACK LIES (Lou Yi-an, 2016)</image:caption>
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      <image:title>film reviews</image:title>
      <image:caption>THE WORLD OF KANAKO (Tetsuya Nakashima, 2014)</image:caption>
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      <image:title>film reviews</image:title>
      <image:caption>THE WORLD OF US (Yoon Ga-eun, 2016)</image:caption>
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      <image:title>Σ</image:title>
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    <loc>http://www.cinema-adrift.com/new-page</loc>
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  <url>
    <loc>http://www.cinema-adrift.com/aces</loc>
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    <lastmod>2021-01-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601102933189-HGIQWRQWG5XKS6RSYWJB/image-asset%252B%25252822%252529.jpg</image:loc>
      <image:title>Aces</image:title>
      <image:caption>Aaaaaaah! (Steve Oram, 2015)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600975326910-VJNJ7HXT6FVWWLAAEJMB/image-asset+%2812%29.png</image:loc>
      <image:title>Aces</image:title>
      <image:caption>ANTI-PORNO (Sion Sono, 2016)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600968271420-Y5IYSC3KGGXHCWLJKUUM/bamseom.png</image:loc>
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      <image:caption>BAMSEOM PIRATES SEOUL INFERNO (Jung Yoon-suk, 2017)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601097926341-2HDF7MC8TGT4H6ROMC0R/image-asset+%2837%29.png</image:loc>
      <image:title>Aces</image:title>
      <image:caption>BEING GOOD (Mipo O, 2015)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600966219918-QZ5WJWNVVCSIMO57SX4Q/kyua.png</image:loc>
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      <image:caption>CURE (Kiyoshi Kurosawa, 1997)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601098271924-40XK6TQEQ0OG0J48OG4G/image-asset+%2840%29.png</image:loc>
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      <image:caption>EMI-ABI (Kensaku Watanabe, 2016)</image:caption>
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      <image:caption>HAPPINESS (Sabu, 2016)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601101651475-N199WT7IM6XJ2SUYQNCC/image-asset%2B%252858%2529.jpg</image:loc>
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      <image:caption>MOUNTAINS MAY DEPART (Jia Zhangke, 2015)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601096974720-OFYA34EBRMXXY4I92ZML/image-asset+%2833%29.png</image:loc>
      <image:title>Aces</image:title>
      <image:caption>NERVE (Ariel Schulman/Henry Joost, 2016)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600924648230-YTJM8J21ZGEORXT8VGB4/on+the+beach.png</image:loc>
      <image:title>Aces</image:title>
      <image:caption>ON THE BEACH AT NIGHT ALONE (Hong Sang-soo, 2017)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600966112559-PV9DBBU7TIH74ZVGNLKI/too+late.png</image:loc>
      <image:title>Aces</image:title>
      <image:caption>TOO LATE (Dennis Hauck, 2015)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1600968849124-QX1GA0Z2PD69953W5ZF8/image-asset+%285%29.png</image:loc>
      <image:title>Aces</image:title>
      <image:caption>TRACES OF SIN (Kei Ishikawa, 2017)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601101342079-E9QRNZYKY77A6JXNHK14/image-asset+%2856%29.png</image:loc>
      <image:title>Aces</image:title>
      <image:caption>THE WAILING (Na Hong-jin, 2016)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/561750f8e4b05d708cf27dc9/1601099427660-AYNC9277BEP50L961O20/image-asset%2B%252849%2529.jpg</image:loc>
      <image:title>Aces</image:title>
      <image:caption>WHAT’S IN THE DARKNESS (Wang Yichun, 2015)</image:caption>
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      <image:title>Aces</image:title>
      <image:caption>THE WHISPERING STAR (Shion Sono, 2016)</image:caption>
    </image:image>
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</urlset>

